Sometimes a continuous path can seem forceful, exaggerating a link or a division where this is not really desirable. In this example in the garden of a swiss farmhouse, the path is explored in its deconstructed form, more as a signifier of direction and intent than as a direct conduit or separator. Fragmented at its centre and detached from its point of departure, the deconstructed path is a play on the power of suggestion over pragmatism.